Pink Portrait Painting, 2006, oil and enamel on canvas

Figures and faces have always been a feature of Sadie Chandler’s iconography. From her varnish-obscured portraits of an anonymous, genteel European ancestry to her pre-Mad men mad women strutting their stuff, and the latest forays into the group portrait as social document, art and life converge. Eve Sullivan Stamm Journal

Witches, 1999, oil on canvas, 120 x 180 cm each

At the Computer, 1999, oil on canvas, 120 x 180 cm

Woman With Cigarette, 2018, ink on paper

Tattooed Man, 2000, acrylic on board, 41 x 27 cm

Studio 2004, oil on linen, 40 x 38 cm