Portraits
Figures and faces have always been a feature of Sadie Chandler’s iconography. From her varnish-obscured portraits of an anonymous, genteel European ancestry to her pre-Mad men mad women strutting their stuff, and the latest forays into the group portrait as social document, art and life converge. Eve Sullivan Stamm Journal
Witches, 1999, oil on canvas, 120 x 180 cm each
At the Computer, 1999, oil on canvas, 120 x 180 cm
Woman With Fruit, 2018, ink on paper
Tattooed Man, 2000, acrylic on board, 41 x 27 cm
Studio 2004, oil on linen, 40 x 38 cm